Wed, Jun 28, 2017
Log in Register

Login to your account

Username
Password *

Create an account

Fields marked with an asterisk (*) are required.
Name
Username
Password *
Verify password *
Email *
Verify email *
Captcha *
FacebookFacebookFacebook

albums08

Visiting Prague

Visiting Prague was once again a wonderful experience. And even though the days were almost exclusively taken up by the studio sessions, we still found time to visit some excellent restaurants in the evenings.

The visit began early for me as I needed to catch the 3.15 a.m. train from Bristol to Heathrow Airport (coach from Reading), hence I had no sleep either that night, or indeed very much the following night in the hotel. It’s an odd thing, as you would think that tiredness would automatically kick in, but it didn’t work for me. In fact, I never really slept well on any of the nights in Prague, nor even on my first night back in Bristol. But gradually I’m getting back into the normal pattern of things.

Anyway, there was no problem with the train and coach, though it was a little cold at 4.45 a.m. outside Reading station waiting for the driver to let us in! The coach was surprisingly full, but it did have to drop people off at all four Heathrow terminuses. On arrival at terminus 2, I had to collect my foreign currency, which turned out to be a right pain and took almost half an hour due to the incredible stupidity of the staff at Travel X. I moved down to check-in and soon spotted Rickie Clarke from Silva, who was to be our score reader during the sessions. He had arrived from the nearby hotel with Nic Raine who was now busy parking his car. Chief Engineer John ‘One Take’ Timperley soon appeared and when Nic joined us we queued for our boarding passes and checked-in our luggage. James Fitzpatrick had flown out the day before, incidentally.

The flight was uneventful and on time, and I had a few hours to relax before the first session began at 5 p.m. Unlike JT, who had to spend 6 hours setting up his equipment in the studio!

I was pleased to recognise many familiar faces amongst the orchestra and the first session began with ‘The Lion In Winter’. I thought at the time, and James confirmed later, that it’s always a nervous moment when they start. This was no exception and my heart sank a little, as they seemed ‘all over the place’ with certain sections of the orchestra playing at different tempos! But this was just a warming-up exercise, apparently. By the second or third attempt they sounded much more like it, and soon we were ready for the first recorded take. I think the orchestra numbered around 70 for the Barry sessions and they sounded terrific. Of course, for both ‘Lion’ and ‘Last Valley’, it’s difficult to judge how effective the recording has been, since the choir is missing and will be added later on in London. But everybody seemed highly satisfied with this first session, so this was a good omen.

The Last Valley was next up on the schedule and with the orchestra now fully in a ‘Barry’ mode, they sailed through it with aplomb and confidence and with the suite from Mary Queen of Scots also going smoothly, we began to get ahead of schedule. This was sure to prove useful when the orchestral had to tackle more complex material from Newman and Tiomkin later on.

My own day or days was Friday and Saturday with the recording of Robin & Marian. On the flight out I had mentioned to Nic that this year sees the 25th anniversary of the film, which is sure to prove a useful marketing tool for the CD. Once again, the orchestra proved more than equal to the task and despite a few retakes being necessary for ‘noise’ in the studio, the scheduled session for Sunday morning proved almost superfluous, there being just one cue left to record. By now we had been joined by Mark Ayres, who was having three of his compositions recorded by the COPP. One of these, ‘Meg Foster’, contained challenging variations in style and tempo – and the orchestra seemed to find this rather stimulating. They were smiling a lot, anyway.

The majority of Sunday and Monday were given over to recordings by Alfred Newman, Max Steiner and Dmitri Tiomkin, but there was also time for themes to Hannibal (Cassidy), Young Sherlock Holmes (Broughton) and Sunshine (Maurice Jarre). The latter required the presence of a Cimbalom. This was a special moment for me as I never previously seen one of John Barry’s favourite sixties instruments. In fact, I enjoyed Jarre’s composition very much, and it was this melody that remained in my head during the somewhat tedious plane journey home. I took some video film of many of the rehearsals for all the sessions, though annoyingly my Lion In Winter one has disappeared!

Newman’s Street Scene was a real treat both to hear and to see played. By now the orchestra had swelled to a 90-piece, and included five sax players! Nic took a lot of trouble with this piece and I think the end result justified him entirely. I have to say that it must have been a little out of the ordinary for this orchestra but they looked to be having a really good time. Other themes recorded included ‘Nevada Smith’, ‘20th Century Fox Fanfare’, ‘Captain From Castile’ (also wonderful), ‘Anastasia’, ‘Duel In The Sun’, ‘Bonanza’ & Gunfight At The O.K. Corral – another highlight.

I suppose it will be some time before I hear any of this music in the comfort of my own home, but at least I have the videos and some reasonable photos. I have to mention and pay tribute to the expertise of the entire production team which made things go so smoothly, led, of course, by James Fitzpatrick. He occasionally seemed to hear tiny little imperfections in the playing that I missed, necessitating another take, but as he said "You have to do these things properly"!

One amusing moment came when one of the percussion team, I think it was Tony, was asked to give us a little more from his cymbals. He replied that loud noises frightened him. And he had no answer when Nic asked him in that case why had he become a percussionist!

I mentioned the restaurants earlier. During one evening in one we were approached by an American gentleman who had heard us talking about music and wanted to know who we were and what we were recording. We said we were recording film music and his eyes seem to glaze over a little. We then gave a little more detail by mentioning Max Steiner, Alfred Newman, John Barry & Dmitri Tiomkin etc., but he still seemed somewhat disinterested. He said he was the principal clarinettist with the New York Philharmonic, and I suppose it's just possible he was not familiar with much film music - golden or silver age. His wife had a few words, too, and it turned out she is also a clarinettist.

A night or two afterwards in a different restaurant we were approached by another gentleman, this time from England, I think. He, too, had heard our musical discussion (we must have loud voices) and in particular caught a reference to an engineer named Keith Grant, who is quite well known around the London studio circuit and Olympic Sound in particular. He immediately adopted a sneering attitude when he made the assumption we were recording music in Prague 'on the cheap', but apart from saying he was a musician who had recorded with Grant "many times", he refused to identify himself. I didn't like him very much.

So, an enjoyable and successful trip. I wonder if there is any Barry music left to record now? Something will turn up by this time next year, I’m sure. In the meantime, I’m sure James & co. will be returning before then to finish off what didn’t quite fit into these sessions.

Geoff Leonard

Read 7729 times Last modified on Tuesday, 24 February 2015 14:31
Rate this item
(0 votes)
Login to post comments

Latest Releases

  • Improved sound quality.

News

PIA website

Have a look at our old "Play It Again" label website here.

Play It Again Records CD catalogue offered the discerning listener a wide choice of digitally re-mastered recordings from film and television, and rare collections of work from the likes of Don Black and Ron Grainer.

Contact the JB site

If you wish to send an email, for example with content for the website, please contact Geoff Leonard:

Email
This email address is being protected from spambots. You need JavaScript enabled to view it.
Location
Bristol, UK

Geoff (owner) and Ruud (webmaster) have been running the John Barry website since June 18, 2001.

This website is not endorsed by the composer's family.
Use of copyrighted materials and logos are for promotional purposes only.

All files on this website are for personal use only and cannot be bought or sold.

 

big screen hits s

Plays 007 s

Some albums

Golfinger French s

Best Of Bond s

Bond US 10th Anniversary s

John Barry related Events or Concerts


Submit your Event or Concert, This email address is being protected from spambots. You need JavaScript enabled to view it. We will not be responsible for any errors or inaccuracies.


A lot more James Bond concerts collected on the link below, I have put them all in this news item. So check it out from there!

http://www.moviesinconcert.nl/index.php?page=concertlist


  30 Jun 2017

   United Kingdom   Sheffield James Bond: The Music of 007

Sheffield City Hall
Irwin Mitchell Oval Hall
James Bond: The Music of 007

from £22.50

Booking Fees May Apply
Friday, 30 Jun 2017
Start Time: 19:30
Doors Open: 19:00

Website

The music that capture a world of pulse-pumping action, glamorous femmes fatales, villainous arch enemies and, of course, unforgettable tunes. With roaring brass, lush orchestrations and sensuous songs, these movies have produced hit after hit all over the world. The list of credits includes the thrumming James Bond theme itself, 'Diamonds are Forever', 'Moonraker', 'Thunderball', 'From Russia with Love', 'Goldfinger', 'For Your Eyes Only', 'Skyfall' and many more.

Smooth as a vodka martini, elegant as a tuxedo and cool as a cucumber sandwich, Stephen Bell, the Hallé's suave, sophisticated maestro leads the world-renowned Hallé Orchestra as they celebrate the ultimate British hero – James Bond. Immerse yourself in the spine-tingling sounds that gave musical voice to the films in catchy title sequences and haunting songs performed here by star vocalists Alison Jiear and Matthew Ford.

An evening packed with some of cinema's most iconic themes, come dressed as your favourite Bond character, knock back a Vodka Martini and be prepared to be shaken and stirred!

Tickets for The Music of James Bond with The Hallé' (subject to booking fees) at Sheffield City Hall are available online at www.sheffieldcityhall.co.uk through the ticket hotline on 0114 2 789 789 and in person at the Sheffield City Hall Box Office.


James Bond Spectacular
August 18, 2017
Time: 19:30

The Harlington Theatre
236 Fleet Road
Fleet
Hants
GU51 4BY

Website

Back by popular demand, popular Q The Music Show is coming back to The Harlington, Fleet bringing their fabulous and iconic music of James Bond to you in a stunning concert. This show has been a huge success at other theatres with its energetic and exciting performance by some of the UK’s leading musicians.

Featuring all the songs from the 007 movies, you can hear the greats like Goldfinger, Diamonds Are Forever, Skyfall, Thunderball, Live And Let Die, Goldeneye and Licence To Kill amongst all the others. With top musicians, dancers, and an informative and highly amusing compere, this show as everything you could want for a fabulous night out – and one that you will be talking about for years to come.

Formed in 2004, Q The Music Show have established a worldwide reputation for their authentic covers, orchestral sound and fabulous hair-raising vocalists. The show has been popular abroad at events in Monte Carlo, Germany, Italy, Guernsey, Prague and many others.

Don’t miss this superb evening as…Nobody Does It Better!


James Bond Spectacular
August 20, 2017
Time: 19:30

Buxton Opera House,
Water Street
Buxton
Derbyshire SK17 6XN

Website

The popular Q The Music Show brings its James Bond Concert Spectacular to Buxton Opera House. The 13-piece band will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. This show has been a huge success all around the world with its energetic and exciting performance by some of the UK’s leading musicians.

Featuring all the songs from the 007 movies, you can hear the greats like Goldfinger, Diamonds Are Forever, Skyfall, Thunderball, Live And Let Die, Goldeneye and Licence To Kill amongst all the others. With top musicians and an informative and highly amusing compere, this show as everything you could want for a fabulous night out – and one that you will be talking about for years to come.

Formed in 2004, Q The Music Show have established a worldwide reputation for their authentic covers, orchestral sound and fabulous hair-raising vocalists. The show has been popular abroad at events in Monte Carlo, Switzerland, Germany, Italy, Guernsey, Prague and many others.


The Best of John Barry: Bond and Beyond
Thursday 16 Nov 2017
7:30pm
Royal Festival Hall,
Address: Belvedere Road,
London, SE1 8XX

Nicholas Dodd conductor

Barry Goldfinger (1964)
Barry Main Theme, Zulu
Barry On her Majesty's Secret Service (1969) We Have All the Time in the World
Barry Somewhere in Time
Barry Moviola
Barry The Persuaders
Barry Mary, Queen of Scots
Barry Midnight Cowboy
Barry Suite, Dances with Wolves

--interval--

Barry Born Free
Barry All Time High, Octopussy (1983)
Barry Theme, Out of Africa (1985)
Barry Body Heat
Barry Chaplin
Barry Space March (Capsule in Space), You Only Live Twice
Barry The Knack
Barry Suite, James Bond

Legendary Hollywood composer John Barry won five Oscars throughout a career creating some of the most memorable music in the history of cinema. Enjoy an evening of his greatest hits – Bond themes from Goldfinger to We Have All the Time in the World, music from Zulu, Midnight Cowboy, Dances with Wolves and more.


19 Nov 2017

   Canada   Thunder Bay Shaken Not Stirred – The Music of James Bond

*

James Bond Spectacular
December 1, 2017
Time: 19:30

Camberley Theatre,
Knoll Road,
Camberley,
Surrey, GU15 3SY,
GB

Website

The popular James Bond Concert Spectacular by Q The Music Show is coming to Camberley Theatre.

They will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. 

This show has been a huge success all around the World with its energetic and exciting performance by some of the UK’s leading musicians.
 
Featuring all the songs from the 007 movies...


 

Wiener Konzerthaus
Lothringerstraße 20, 1030 WIEN
(that's Vienna!)

Samstag 2 Dezember 2017
19:30 Uhr
Großer Saal

Sonntag 3 Dezember 2017
19:30 Uhr
Großer Saal

Dieses Galakonzert lässt 53 Jahre Bond-Movies live und auf großer Kinoleinwand Revue passieren. Von John Barrys «Goldfinger», «Thunderball» und «Diamonds Are Forever» über «Licence To Kill», «A View To A Kill» und «Goldeneye» bis hin zu «Skyfall» und dem Song des bislang letzten Bond-Streifens, «Writings On The Wall». Spezielle Arrangements für großes Symphonieorchester garantieren neben den Star-Interpreten einen unvergesslichen Abend.

Am 2. und 3. Dezember 2017 werden die legendären Songs und Scores aus den Bond-Movies von den Star-Interpreten Maya Hakvoort, Nazide Aylin und Sandra Pires im Wiener Konzerthaus präsentiert. Dabei werden sie von einem großen Symphonieorchester, ergänzt durch Top-Instrumentalsolisten für den speziellen Bond-Sound, begleitet, während die berühmten Filmszenen auf eine Leinwand projiziert werden. Die Arrangements stammen vom musikalischen Leiter der Galakonzerte, Alex Johansson. Als besonderes Highlight wird Stargast Conchita ihre Lieblings-Bondsongs interpretieren.