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albums08

John Barry takes action (as does Goldsmith)

By Terry Walstrom
2 December 2003

If you were seated in a room opposite two people having an argument in Chinese you are likely to remember what they did and the tone of their conflict. But, the particulars would certainly be absent; i.e. the why and the wherefore. The general grievances might have substance and merit on both sides, of course, but you'd never know--would you?

Now, change the Chinese couple to people who speak your own language. You could follow the nuances of the argument and fit the dialogue to the general tenor of anger, resentment and rebuttal in a more meaningful way. I submit that action music is analogous. How so?

In John Barry's action music, as we all know so well, there are "words" and "phrases" selected out of the melodic main theme which are always intelligible as such even when "spoken" fast or slow or this instrument and that one.

Take Goldfinger, for an instance of this. In the PRE-title sequence we will hear the "gold-fing-er" phrase in many guises. We will find it parallel with the semi-tone rising and falling James Bond motif too. These occurrences of readily identifiable phrases are like bookmarks that enable our perhaps non-musically educated minds to keep pace with the action onscreen in a discernible way. In effect, we are reading several texts simultaneously (like having three books open in front of us) and skipping from one to the other without losing THE SENSE of any of them in the process. The visual, the general ambient sound or dialogue and the music can fit together and integrate a conglomerate thought which might otherwise be too complex or inexplicable to cohere comprehensively.

From Russia with Love gave me personally the best glimpse into how Barry achieves the cohesion of his style with the film. There are many separate melodic themes that circulate throughout the film. The general genius of fitting them together and overlaying one atop the other is the real prize. The melody to the song From Russia with Love, though it be composed by Lionel Bart, is so elegantly taken apart and reassembled over and over again by John Barry that no matter what new guise it appears in we recognize it as a part of some previous whole.

Take GUITAR LAMENT as an example of this. The melody to Guitar Lament is From Russia with Love refashioned. Five note phrase....two notes...two notes....

From Rush Uh with Love I fly to you.......

behind which is a refashioned James Bond rising and falling figure.

MAN OVERBOARD...Smersh in Action gives us yet another incarnation of FRWL theme in 3/4 time transformed. This too has the James Bond rising falling figure. Now Guitar Lament isn't action music per se. But, it is a gentle way of demonstrating the technique in use.

The real action music is the 007 theme unique on all the Bond films. Barry has a theory about the lurching rhythm of 007 that I always refer to as 3-3-2. (Clusters of eighth notes with the duration of three eighth notes followed by three more and then two for a total of eight to the bar.) Barry believes by breaking up the rhythm into unconventional beats there is a sense of forward movement which is more dynamic than straight accents on 2 and 4 or 1 and 3 which is natural to pop music. Barry lays his very simple theme for horns and brass on top the lurching rhythm and it is all very easy to follow. The in-between accents in the snare drums and instrument groups certainly lend excitement without over-complicating what the mind easily follows.

Without overdoing my explanation I'll just point one thing out. There is a lot going on for the ear to follow individually in 007. However, it isn't difficult at all to comprehend because Barry's logic and layout are exceedingly well chosen. It is actually a surprisngly elegant variation on the old OOM-PAH band technique.

What is the OOM-PAH band technique? In German bands, for example, the tuba player hits the keynote with a loud OOM and the brass plays the "answering" PAH. The tuba lays down the bass with a first and fifth note alternating and the brass echoes the chord with their PAH. What Barry does is substitute the kettledrum or low bass for the Tuba and change the duration to the 3-3-2. The "answering" PAH fits in the spaces. OOM pah pah OOM pah pah OOM pah OOM pah pah OOM pah pah OOM pah. Clever and effective.

Goldsmith, on the other hand has many changes in rhythm per track alternating unexpectedly to keep your sense of expectation off-balance. He might have 4/4 followed by 5/4 and 7/8 or 12/8 without telegraphing in advance which way he is going. He varies his instrument groups and interlaces them with electronic "stings" or supplemental colors constantly. Now you see it--now you don't is the order of the day. I very much enjoy Goldsmith's action music without having instant comprehension of what the music is "saying" internally.

It is a Chinese argument.

For me, raised on songs and singing and lyrical melodicism I am drawn to a song-like leading line in music. Barry really beautifies his action music lyrically. Sometimes it has a disturbing beauty to it. Barry's music for the Diamonds are Forever laser weapon in space is gorgeous and stately---but, lyrical. In The Man with The Golden Gun his action music practically sings the song to you while the orchestra decorates the rhythmic background wittily.

The closest Goldsmith comes to a Barry type score is his OUR MAN FLINT/IN LIKE FLINT films. His theme returns again and again in so many variations and guises it is burned into your subconscious indelibly. Naturally it is obvious he is mining the Bond-like similarities of the films while remaining true to his own muse.

The greatest thrilling action music of Goldsmith, for me, is in films like Papillon and The Wind and the Lion where moments of great lyricism penetrate the kaleidoscopic variants raging in the orchestra in flurries of mathematical complexity.

These two men have invented their own particularities. Of the two you would expect the easier man to imitate is John Barry. You would be wrong! There are more composers imitating Goldsmith than have ever come close to John Barry. Take just two. David Arnold and George S. Clinton. Arnold only appears to complement Barry's style. But, he cheats. He simply traces certain figures familiar to Bond fans and injects them like gravy into a Turkey's innards for flavoring. 75% of Arnold's meandering is furious competing voices in overblown orchestral settings set to thundering drumtracks. George S. Clinton tries to ape the general ambience of a Bond film in Austin Powers films. However, the imitation is so colorless and bland the energy and the humor dissipate rapidly into mere Punch and Judy.

John Barry remains unique among action film composers because his personality is everywhere in the music; that of a master in control of vast forces summoned to do his bidding. The result is so intelligible that the emotional veracity hits the audience with a double whammy and the spellbinding pleasure of total immersion into the shadowy world of film is made into a magical experience.

Terry.

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News

PIA website

Have a look at our old "Play It Again" label website here.

Play It Again Records CD catalogue offered the discerning listener a wide choice of digitally re-mastered recordings from film and television, and rare collections of work from the likes of Don Black and Ron Grainer.

Contact the JB site

If you wish to send an email, for example with content for the website, please contact Geoff Leonard:

Email
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Location
Bristol, UK

Geoff (owner) and Ruud (webmaster) have been running the John Barry website since June 18, 2001.

This website is not endorsed by the composer's family.
Use of copyrighted materials and logos are for promotional purposes only.

All files on this website are for personal use only and cannot be bought or sold.

 

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John Barry related Events or Concerts


Submit your Event or Concert, This email address is being protected from spambots. You need JavaScript enabled to view it. We will not be responsible for any errors or inaccuracies.


 The Music of Bond RPO 11 April 2017

Royal Philharmonic Orchestra presents
The Music of Bond
Tuesday 11 April 2017
Doors: 6:45pm
Starts: 7:30pm

Website

The Royal Philharmonic Orchestra returns to London’s Royal Albert Hall to perform The Music of Bond, following its sensational sell-out performance in October 2015.

Presented by A View to a Kill’s ‘Bond girl’ Fiona Fullerton, we celebrate over fifty years of timeless James Bond theme songs with hits from Goldfinger, Casino Royale, From Russia With Love, Diamonds Are Forever, Skyfall, Spectre and many more, all sung by outstanding vocalists Alison Jiear and Simon Bowman.

Gareth Hudson conductor
Alison Jiear vocalist
Simon Bowman vocalist
Fiona Fullerton presenter

Royal Philharmonic Orchestra


Sheffield City Hall
Irwin Mitchell Oval Hall
James Bond: The Music of 007

from £22.50

Booking Fees May Apply
Friday, 30 Jun 2017
Start Time: 19:30
Doors Open: 19:00

Website

The music that capture a world of pulse-pumping action, glamorous femmes fatales, villainous arch enemies and, of course, unforgettable tunes. With roaring brass, lush orchestrations and sensuous songs, these movies have produced hit after hit all over the world. The list of credits includes the thrumming James Bond theme itself, 'Diamonds are Forever', 'Moonraker', 'Thunderball', 'From Russia with Love', 'Goldfinger', 'For Your Eyes Only', 'Skyfall' and many more.

Smooth as a vodka martini, elegant as a tuxedo and cool as a cucumber sandwich, Stephen Bell, the Hallé's suave, sophisticated maestro leads the world-renowned Hallé Orchestra as they celebrate the ultimate British hero – James Bond. Immerse yourself in the spine-tingling sounds that gave musical voice to the films in catchy title sequences and haunting songs performed here by star vocalists Alison Jiear and Matthew Ford.

An evening packed with some of cinema's most iconic themes, come dressed as your favourite Bond character, knock back a Vodka Martini and be prepared to be shaken and stirred!

Tickets for The Music of James Bond with The Hallé' (subject to booking fees) at Sheffield City Hall are available online at www.sheffieldcityhall.co.uk through the ticket hotline on 0114 2 789 789 and in person at the Sheffield City Hall Box Office.


A lot more James Bond concerts collected on the link below, I have put them all in this news item. So check it out from there!

http://www.moviesinconcert.nl/index.php?page=concertlist


31 Mar 2017

   Germany   Nürnberg A Night with James Bond (Jagd auf James Bond)

31 Mar 2017

 31 Mar 2017  USA Texas Fort Worth 007: The Music of James Bond
01 Apr 2017  USA Texas Fort Worth 007: The Music of James Bond

01 Apr 2017

   Germany   Stuttgart A Night with James Bond (Jagd auf James Bond)

02 Apr 2017

   USA Texas Fort Worth 007: The Music of James Bond

 02 Apr 2017

   United Kingdom   Leeds

Shaken & Stirred: The Music of James Bond

Shaken & Stirred: The Music of James Bond

02 April 2017

Tickets: £30, £27, £24, £19, £14, £10 (discounts available).

Website

Featuring Goldfinger, Diamonds Are Forever and Skyfall.

Leeds Town Hall

Concert begins at 4pm

Orchestra of Opera North
Gareth Hudson - conductor
Mary Carewe - voice
Simon Bowman - voice

The ultimate Bond concert with excerpts from all 24 films from Dr No to Spectre. With classic songs made famous by great artists such as Shirley Bassey, Tom Jones, Matt Monro, Paul McCartney, Duran Duran, Tina Turner, Adele, Sam Smith and more, this evening is dedicated to the world’s most famous spy.

Led by Gareth Hudson and joined by two of the leading vocal artists of the Bond repertoire, Mary Carewe and Simon Bowman, from the moment the Orchestra of Opera North strike up the iconic James Bond Theme you will realise that Nobody does it better as you’re immersed in an evening of classic Bond music which will leave you shaken AND stirred. 

Channel your inner spy or become a Bond-girl for the evening as we encourage bookers to dress to impress.

Norman/Raine - James Bond theme
Barry/Raine - Thunderball
Barry/Raine - Goldfinger
Barry/Raine - You only live twice
Barry/Raine - From Russia With Love: Title Song
Barry/Raine - Moonraker
Barry/Raine - Diamonds Are Forever
David & Bacharach/Raine - Casino Royale
Hamlisch/Raine - The Spy Who Loved Me: Nobody Does It Better
Barry/Raine - The Man With The Golden Gun: Title Song
Barry/Raine - On Her Majesty's Secret Service: We Have All The Time In The World
Barry/Raine - Suite: A View to a Kill
Walden & Cohen/Raine Licence to Kill: Title Song

Interval

Barry/Raine - A View to a Kill
Conti/Raine - For Your Eyes Only
Barry/Raine - Octopussy: All Time High
Barry & Waaktaar/Raine - The Living Daylights: Title Song
Bono & The Edge/Raine - Goldeneye
Arnold & Black/Raine - Tomorrow Never Dies: Surrender
Arnold - Die Another Day: Welcome to Cuba
Arnold & Black/Raine -The World Is Not Enough: Title Song
Cornell & Arnold/Raine Casino Royale: You Know My Name
White/Raine Quantum Of Solace: Another Way To Die
McCartney/Raine - Live And Let Die: Title Song
Atkins & Epworth/Raine - Skyfall
Smith/Raine - Spectre: Writing’s on the Wall


 08 Apr 2017

   United Kingdom   Belfast Goldfinger! The Best of James Bond

08 April 2017
Belfast
(United Kingdom)         
Goldfinger! The Best of James Bond
Ulster Orchestra conducted by Stephen Bell - Ulster Hall

Website

Program Info:
An explosive evening of the very best themes from the James Bond series. Stephen Bell will be the man with the golden baton, leading the Ulster Orchestra through classics from across the decades, from early films such as Goldfinger, right through to the present day and hits such as the Oscar-winning theme to Skyfall. Favourites such as Live and Let Die, Diamonds are Forever and Licence to Kill will leave you shaken and stirred at this fabulous concert!


External links:
Details & tickets


 11 Apr 2017

   United Kingdom   London The Music of Bond

13 Apr 2017

13 Apr 2017  USA Mississippi Kansas City Bond and beyond: 50 years of 007
14 Apr 2017  USA Mississippi Kansas City Bond and beyond: 50 years of 007
15 Apr 2017  USA Mississippi Kansas City Bond and beyond: 50 years of 007

  30 Jun 2017

   United Kingdom   Sheffield James Bond: The Music of 007

*

James Bond Spectacular
August 18, 2017
Time: 19:30

The Harlington Theatre
236 Fleet Road
Fleet
Hants
GU51 4BY

Website

Back by popular demand, popular Q The Music Show is coming back to The Harlington, Fleet bringing their fabulous and iconic music of James Bond to you in a stunning concert. This show has been a huge success at other theatres with its energetic and exciting performance by some of the UK’s leading musicians.

Featuring all the songs from the 007 movies, you can hear the greats like Goldfinger, Diamonds Are Forever, Skyfall, Thunderball, Live And Let Die, Goldeneye and Licence To Kill amongst all the others. With top musicians, dancers, and an informative and highly amusing compere, this show as everything you could want for a fabulous night out – and one that you will be talking about for years to come.

Formed in 2004, Q The Music Show have established a worldwide reputation for their authentic covers, orchestral sound and fabulous hair-raising vocalists. The show has been popular abroad at events in Monte Carlo, Germany, Italy, Guernsey, Prague and many others.

Don’t miss this superb evening as…Nobody Does It Better!


*

James Bond Spectacular
August 20, 2017
Time: 19:30

Buxton Opera House,
Water Street
Buxton
Derbyshire SK17 6XN

Website

The popular Q The Music Show brings its James Bond Concert Spectacular to Buxton Opera House. The 13-piece band will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. This show has been a huge success all around the world with its energetic and exciting performance by some of the UK’s leading musicians.

Featuring all the songs from the 007 movies, you can hear the greats like Goldfinger, Diamonds Are Forever, Skyfall, Thunderball, Live And Let Die, Goldeneye and Licence To Kill amongst all the others. With top musicians and an informative and highly amusing compere, this show as everything you could want for a fabulous night out – and one that you will be talking about for years to come.

Formed in 2004, Q The Music Show have established a worldwide reputation for their authentic covers, orchestral sound and fabulous hair-raising vocalists. The show has been popular abroad at events in Monte Carlo, Switzerland, Germany, Italy, Guernsey, Prague and many others.


19 Nov 2017

   Canada   Thunder Bay Shaken Not Stirred – The Music of James Bond

*

James Bond Spectacular
December 1, 2017
Time: 19:30

Camberley Theatre,
Knoll Road,
Camberley,
Surrey, GU15 3SY,
GB

Website

The popular James Bond Concert Spectacular by Q The Music Show is coming to Camberley Theatre. They will be bringing the fabulous and iconic music of James Bond to you in a stunning concert.  This show has been a huge success all around the World with its energetic and exciting performance by some of the UK’s leading musicians.
 
Featuring all the songs from the 007 movies...