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albums08

Slippage

By Terry walstrom
 07 December 2003

What is the point of slippage? Slippage is a theory of how things are actually "created". Nothing is ever truly original. But, by increments an old way of doing things, or thinking things becomes entirely novel and fresh. This is easily done with musical tunes.

Take the tune GIVE ME THE SIMPLE LIFE and vary the last phrase and Presto! You have the theme to Candid Camera. But, let us go deeper. What if you take action music, for example, and apply slippage. What are the rewards? Onscreen there are frantic images and tense situations, lots of ambient sound, noise, effects, etc. The expectation is music that mimics that activity. For the composer that means writing a lot of notes. For the orchestra: playing fast. For the sound mixer: one more group of sounds to be blended. For the audience? Maybe just too much of everything. All that work the composer went through and the details are blurred into a soup.

What if the composer applies slippage? Instead of hundreds of fast notes he slips in just a few slow notes? What if the tempo is broad and brackets the beginning and end rather than changing lanes like a racecar? What if there is an actual melody instead of riffs and ostinati? After all, how many mood changes can be provoked in an audience? How many emotions SHOULD they be experiencing to move the plot along? Is the purpose of the action an emotionally significant one? Can that be stated in a word? Can the music not stick to that emotional tone and be successful?

Take any recent action movie with music behind it and you'll hear a mammoth wall of sonic assault. In effect, it is bursts of noise played by instruments. The visceral effect is not unlike a large group of people stomping their feet. Raw Energy is what it amounts to. But, is it emotionally informative?

I've stated all the above to make the following statement. Perhaps film composers by using slippage make a huge and important discovery about film music: Simple is better than complex in action music. A broad theme is something the audience can hang on to and stay with EMOTIONALLY. An exhilaration can stem from happiness or anger or awe but it is one emotion. Why duplicate what is onscreen?

Let us take an example: John Barry had many many opportunities to explore the effect of action music in the Bond films. Bond films had in the music a serious tone. My opinion is that the serious tone made the cartoonish action onscreen work much better. With the advent of Dolby sound recording the amount of sonic information delivered to the audience's ears doubled, then tripled over time. A film composer finds his music being drowned out. Melodic composers best efforts were, in effect, destroyed. But, the declamatory composers' efforts were not affected at all.

Not the only problem. With the advent of digital recording and editing the LOCKED DOWN print was a thing of the past for a composer. The scene could be changed and changed and changed again by the editor almost up until the week of release. A carefully timed score based on melody and synchronized action moments would be immediately rendered ineffective when edited. Not so a score with mere short cells of rhythm and chords.

Consequently, the truly gifted melodic composers began vanishing from action films. Enter SLIPPAGE and innovation. John Barry figured out a way. Loooooong, slooooow melody lines so broad it would fit over the entire scene no matter what the quick cut changes because the general definitive mood was in place. The music would "make sense" because it was now a COMPLETE thought as melodies are. It was no longer a salad but a meal. Our ears are accustomed to the usual approach, to be sure. But, I for one like the melodic approach very much.

The greatest tribute to Barry's method is in Dances with Wolves. The melodies are very strong. There is energy and there is content emotionally. The music tells you something as in a complete thought or sentence with the melody as the subject and the tempo as the verb and the emotional result the direct object. Slippage works.

Look at the flight scene in OUT OF AFRICA. The music is very slow and broad. There is no sense of matching the editing tempo to the music. However, the enormity of the exhilaration in realizing the beauty of Africa comes almost entirely from what the music accomplishes. Busy busy busy music simply could never deliver such a wallop.

Producers who are too scared of not being conventional with their music score are missing out on a great deal by not trusting John Barry's journeyman instincts. But, the biggest loss is on the part of the audience. We find it more and more difficult to FEEL something no matter how terrific the special effects onscreen.

I ask you to compare any action scene in a recent James Bond movie scored with wall to wall sonic assault by David Arnold with John Barry's efforts a decade or so earlier. Which is more emotionally satisfying? There is no ONE TRUE answer to this question. After all, like so many things in life it is a matter of taste. But, I'd rather slip out the current method and slip in the emotionally true one.

Long live SLIPPAGE.

Terry.

Read 28332 times Last modified on Tuesday, 24 February 2015 15:03
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Play It Again Records CD catalogue offered the discerning listener a wide choice of digitally re-mastered recordings from film and television, and rare collections of work from the likes of Don Black and Ron Grainer.

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A lot more James Bond concerts collected on the link below, I have put them all in this news item. So check it out from there!

http://www.moviesinconcert.nl/index.php?page=concertlist


 

James Bond Spectacular
August 18, 2017
Time: 19:30

The Harlington Theatre
236 Fleet Road
Fleet
Hants
GU51 4BY

Website

Back by popular demand, popular Q The Music Show is coming back to The Harlington, Fleet bringing their fabulous and iconic music of James Bond to you in a stunning concert. This show has been a huge success at other theatres with its energetic and exciting performance by some of the UK’s leading musicians.

Featuring all the songs from the 007 movies, you can hear the greats like Goldfinger, Diamonds Are Forever, Skyfall, Thunderball, Live And Let Die, Goldeneye and Licence To Kill amongst all the others. With top musicians, dancers, and an informative and highly amusing compere, this show as everything you could want for a fabulous night out – and one that you will be talking about for years to come.

Formed in 2004, Q The Music Show have established a worldwide reputation for their authentic covers, orchestral sound and fabulous hair-raising vocalists. The show has been popular abroad at events in Monte Carlo, Germany, Italy, Guernsey, Prague and many others.

Don’t miss this superb evening as…Nobody Does It Better!


James Bond Spectacular
August 20, 2017
Time: 19:30

Buxton Opera House,
Water Street
Buxton
Derbyshire SK17 6XN

Website

The popular Q The Music Show brings its James Bond Concert Spectacular to Buxton Opera House. The 13-piece band will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. This show has been a huge success all around the world with its energetic and exciting performance by some of the UK’s leading musicians.

Featuring all the songs from the 007 movies, you can hear the greats like Goldfinger, Diamonds Are Forever, Skyfall, Thunderball, Live And Let Die, Goldeneye and Licence To Kill amongst all the others. With top musicians and an informative and highly amusing compere, this show as everything you could want for a fabulous night out – and one that you will be talking about for years to come.

Formed in 2004, Q The Music Show have established a worldwide reputation for their authentic covers, orchestral sound and fabulous hair-raising vocalists. The show has been popular abroad at events in Monte Carlo, Switzerland, Germany, Italy, Guernsey, Prague and many others.


The Best of John Barry: Bond and Beyond
Thursday 16 Nov 2017
7:30pm
Royal Festival Hall,
Address: Belvedere Road,
London, SE1 8XX

Nicholas Dodd conductor

Barry Goldfinger (1964)
Barry Main Theme, Zulu
Barry On her Majesty's Secret Service (1969) We Have All the Time in the World
Barry Somewhere in Time
Barry Moviola
Barry The Persuaders
Barry Mary, Queen of Scots
Barry Midnight Cowboy
Barry Suite, Dances with Wolves

--interval--

Barry Born Free
Barry All Time High, Octopussy (1983)
Barry Theme, Out of Africa (1985)
Barry Body Heat
Barry Chaplin
Barry Space March (Capsule in Space), You Only Live Twice
Barry The Knack
Barry Suite, James Bond

Legendary Hollywood composer John Barry won five Oscars throughout a career creating some of the most memorable music in the history of cinema. Enjoy an evening of his greatest hits – Bond themes from Goldfinger to We Have All the Time in the World, music from Zulu, Midnight Cowboy, Dances with Wolves and more.


19 Nov 2017

   Canada   Thunder Bay Shaken Not Stirred – The Music of James Bond

*

James Bond Spectacular
December 1, 2017
Time: 19:30

Camberley Theatre,
Knoll Road,
Camberley,
Surrey, GU15 3SY,
GB

Website

The popular James Bond Concert Spectacular by Q The Music Show is coming to Camberley Theatre.

They will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. 

This show has been a huge success all around the World with its energetic and exciting performance by some of the UK’s leading musicians.
 
Featuring all the songs from the 007 movies...


 

Wiener Konzerthaus
Lothringerstraße 20, 1030 WIEN
(that's Vienna!)

Samstag 2 Dezember 2017
19:30 Uhr
Großer Saal

Sonntag 3 Dezember 2017
19:30 Uhr
Großer Saal

Dieses Galakonzert lässt 53 Jahre Bond-Movies live und auf großer Kinoleinwand Revue passieren. Von John Barrys «Goldfinger», «Thunderball» und «Diamonds Are Forever» über «Licence To Kill», «A View To A Kill» und «Goldeneye» bis hin zu «Skyfall» und dem Song des bislang letzten Bond-Streifens, «Writings On The Wall». Spezielle Arrangements für großes Symphonieorchester garantieren neben den Star-Interpreten einen unvergesslichen Abend.

Am 2. und 3. Dezember 2017 werden die legendären Songs und Scores aus den Bond-Movies von den Star-Interpreten Maya Hakvoort, Nazide Aylin und Sandra Pires im Wiener Konzerthaus präsentiert. Dabei werden sie von einem großen Symphonieorchester, ergänzt durch Top-Instrumentalsolisten für den speziellen Bond-Sound, begleitet, während die berühmten Filmszenen auf eine Leinwand projiziert werden. Die Arrangements stammen vom musikalischen Leiter der Galakonzerte, Alex Johansson. Als besonderes Highlight wird Stargast Conchita ihre Lieblings-Bondsongs interpretieren.