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Sunday Night at the London Palladium

Article - Sunday Night at the London Palladium

(with the John Barry 7)

Geoff Leonard
2 September, 2004

I saw Sunday Night at the London Palladium show at the National Film Theatre on Tuesday, August 31. It was a strange experience, like being in another era. The programme began with selected clips from early shows which included Hughie Green introducing Mario Lanza, and Bobby Darin singing 3 songs at the end of a tour of England. What a classy performer he was. Some of the 'variety' acts were acrobats and dancers and, to be honest, didn't really hold the attention.

Then we had a complete show from 1960, introduced by Bruce Forsyth. It included a speciality dance act who threw some poor girl around the stage, Beryl Reid as 'Marlene', an American opera star I'd never heard of, "Beat the clock" and finally, the moment we had been waiting for: The John Barry Seven!

Brucie made a point of talking about the 'new sound' or noise, as he kept saying, during his intro. Then the curtains parted to reveal the JB7 playing 'Hit & Miss', apparently augmented by some pizzicato plucking from the pit orchestra, conducted by Cyril Ornadel.

Vic Flick got *all* the close-ups, probably because it was basically just him, Dougie Wright & Mike Peters who were playing, though all the Seven appeared to be. John Barry looked nervous on trumpet and again when conducting. One curio was that regular saxophonist Jimmy Stead was missing. His dep was a short, very thin guy with receding dark hair - no idea who that was. Vic's famous Clifford Essex 'Bond theme' guitar is now in the Rock & Roll Hall of Fame and waiting to be put on display. The curators seem to be much enamoured of it.

Of course, the real star of the show was Adam Faith. And he didn't disappoint. He sang What do you want, Someone else's baby and Big Time, all accompanied by the Seven, or some of them, with JB conducting. For Big Time they were augmented by the orchestra so it was a little weird to see both John & Cyril conducting together!

Then, Brucie came on dressed as Adam. They bantered and did a duet of 'Poor Me'. I was really impressed with Adam who couldn't have been more than 19 or 20 at the time. He seemed quite unfazed by it all and matched Brucie line for line. There was mention of a Blackpool summer season up and coming so I'm guessing the show was recorded around Easter of 1960.

When it was over they jumped on the revolving stage thing with the JB7 and the rest of the performers as the credits rolled. The NFT audience applauded loudly at the end. I was so glad I caught it and pleased that the episode is in the archives. So much of the BBC stuff has been wiped so well done to ATV (or whoever owns it now) for saving it.

Geoff

Read 60537 times Last modified on Wednesday, 25 February 2015 13:12
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Have a look at our old "Play It Again" label website here.

Play It Again Records CD catalogue offered the discerning listener a wide choice of digitally re-mastered recordings from film and television, and rare collections of work from the likes of Don Black and Ron Grainer.

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If you wish to send an email, for example with content for the website, please contact Geoff Leonard:

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Geoff (owner) and Ruud (webmaster) have been running the John Barry website since June 18, 2001.

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John Barry related Events or Concerts


Submit your Event or Concert, This email address is being protected from spambots. You need JavaScript enabled to view it. We will not be responsible for any errors or inaccuracies.


A lot more James Bond concerts collected on the link below, I have put them all in this news item. So check it out from there!

http://www.moviesinconcert.nl/index.php?page=concertlist


 

Wiener Konzerthaus
Lothringerstraße 20, 1030 WIEN
(that's Vienna!)

Sonntag 3 Dezember 2017
19:30 Uhr
Großer Saal

Dieses Galakonzert lässt 53 Jahre Bond-Movies live und auf großer Kinoleinwand Revue passieren. Von John Barrys «Goldfinger», «Thunderball» und «Diamonds Are Forever» über «Licence To Kill», «A View To A Kill» und «Goldeneye» bis hin zu «Skyfall» und dem Song des bislang letzten Bond-Streifens, «Writings On The Wall». Spezielle Arrangements für großes Symphonieorchester garantieren neben den Star-Interpreten einen unvergesslichen Abend.

Am 2. und 3. Dezember 2017 werden die legendären Songs und Scores aus den Bond-Movies von den Star-Interpreten Maya Hakvoort, Nazide Aylin und Sandra Pires im Wiener Konzerthaus präsentiert. Dabei werden sie von einem großen Symphonieorchester, ergänzt durch Top-Instrumentalsolisten für den speziellen Bond-Sound, begleitet, während die berühmten Filmszenen auf eine Leinwand projiziert werden. Die Arrangements stammen vom musikalischen Leiter der Galakonzerte, Alex Johansson. Als besonderes Highlight wird Stargast Conchita ihre Lieblings-Bondsongs interpretieren.


Q The Music Show - James Bond Tribute Band
Live James Bond Concerts
Sun 25th Feb 18 (7.30pm)
Victoria Halls, Stoke-On-Trent
with Madeline Smith (Live & Let Die)
Details: www.QTheMusicShow.com/victoriahall


Q The Music Show - James Bond Tribute Band
Live James Bond Concerts
Sun 11th Mar 18
The Woodville, Gravesend
with Madeline Smith (Live & Let Die)
Details: www.QTheMusicShow.com/thewoodville


 Q The Music Show - James Bond Tribute Band
Live James Bond Concerts

Sun 25th Mar 18 (6pm)
King's Theatre, Southsea, Portsmouth
with Madeline Smith (Live & Let Die)
Details: www.QTheMusicShow.com/kingstheatre


 Q The Music Show - James Bond Tribute Band
Live James Bond Concerts

Wed 4th Apr 18
Southport Theatre
with Caroline Munro (The Spy Who Loved Me)
Details: www.QTheMusicShow.com/southporttheatre


Q The Music Show - James Bond Tribute Band
Live James Bond Concerts

Sun 8th Apr 18
Aylesbury Waterside Theatre
with Caroline Munro (The Spy Who Loved Me)
Details: www.QTheMusicShow.com/waterside


Q The Music Show - James Bond Tribute Band
Live James Bond Concerts

Sun 6th May 18
New Victoria Hall, Woking
with Caroline Munro (The Spy Who Loved Me)
Details: www.QTheMusicShow.com/newvictoria