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In Memoriam John Barry

Ron Curry, MBE
February 3, 2011

I am glad to have this opportunity to express my great admiration and respect for John Barry's music scores.

I first met Mr Barry at C T S Studios, Bayswater, London in December 1971 when he was scoring Sir Carol Reed's "Follow Me". To my mind there were two John Barrys, the Composer and the Conductor, each culminating in musical style. The work starting from subject matter, a film in rough cut after plotting musical cues with the then director and editor, the weeks and sometimes months of isolation when composing for a project, pulling the elements together however diverse, following his instincts being stylistic as only he could do it to "get a fix" from the blank manuscript paper. The work structured with musical intentions, the character of the writing of the music trenchancy and direction of the scoring and cross referencing, building layer upon layer of musical textures creating complex sounds all starting as dots on paper.

As if game-like, notation written with the help of a metronome and a stopwatch, musical colours exchanged from one instrument to another to be given a new life as it fades to be picked up by another musical bridge, to grow and then fade in spacious lyricism using his musicianship and interpretative imagination to bring his written "cues" to fit the confines of time restrictions.

Writing from one chord to another almost key changing. The melody staying in the logical sense but changes are happening like undercurrents taking the music into another mode his perfection of attach and clarity of harmonies and tone.

His feelings and moods, the theme and variations in his music are written structurally for film sequences, a score full of thematic motifs which can still retain its value as music when presented as a separate form. Divorced from the film.

His impact and depth of emotion with feeling not sentimentality for both orchestra and voices, for a non film work (The Beyondness of Things) using his own random thoughts for the function of the music.

Centenial of British Film Commerative copy plaque being presented by Ron Curry to John Barry, Royal Albert Hall, Saturday 18th April, 1998.To enrich the music was John Barry the Conductor. Mr. Barry always conducted his own work. Watching Mr Barry conduct in recording sessions, his body swaying, his baton jabbing and coaxing, this was the fun of the game for him. To finally stand in a Studio and conduct his finished score with the detail and subtleties that only he could give his music.

Thank you for the music John.

© Ron Curry MBE

Photo attachment: Centenial of British Film Commerative copy plaque being presented by Ron Curry to John Barry, Royal Albert Hall, Saturday 18th April, 1998.

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PIA website

Have a look at our old "Play It Again" label website here.

Play It Again Records CD catalogue offered the discerning listener a wide choice of digitally re-mastered recordings from film and television, and rare collections of work from the likes of Don Black and Ron Grainer.

Contact the JB site

If you wish to send an email, for example with content for the website, please contact Geoff Leonard:

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Location
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Geoff (owner) and Ruud (webmaster) have been running the John Barry website since June 18, 2001.

This website is not endorsed by the composer's family.
Use of copyrighted materials and logos are for promotional purposes only.

All files on this website are for personal use only and cannot be bought or sold.

 

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John Barry related Events or Concerts


Submit your Event or Concert, This email address is being protected from spambots. You need JavaScript enabled to view it. We will not be responsible for any errors or inaccuracies.


A lot more James Bond concerts collected on the link below, I have put them all in this news item. So check it out from there!

http://www.moviesinconcert.nl/index.php?page=concertlist


The Best of John Barry: Bond and Beyond
Thursday 16 Nov 2017
7:30pm
Royal Festival Hall,
Address: Belvedere Road,
London, SE1 8XX

Nicholas Dodd conductor

Barry Goldfinger (1964)
Barry Main Theme, Zulu
Barry On her Majesty's Secret Service (1969) We Have All the Time in the World
Barry Somewhere in Time
Barry Moviola
Barry The Persuaders
Barry Mary, Queen of Scots
Barry Midnight Cowboy
Barry Suite, Dances with Wolves

--interval--

Barry Born Free
Barry All Time High, Octopussy (1983)
Barry Theme, Out of Africa (1985)
Barry Body Heat
Barry Chaplin
Barry Space March (Capsule in Space), You Only Live Twice
Barry The Knack
Barry Suite, James Bond

Legendary Hollywood composer John Barry won five Oscars throughout a career creating some of the most memorable music in the history of cinema. Enjoy an evening of his greatest hits – Bond themes from Goldfinger to We Have All the Time in the World, music from Zulu, Midnight Cowboy, Dances with Wolves and more.


19 Nov 2017

   Canada   Thunder Bay Shaken Not Stirred – The Music of James Bond

*

James Bond Spectacular
December 1, 2017
Time: 19:30

Camberley Theatre,
Knoll Road,
Camberley,
Surrey, GU15 3SY,
GB

Website

The popular James Bond Concert Spectacular by Q The Music Show is coming to Camberley Theatre.

They will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. 

This show has been a huge success all around the World with its energetic and exciting performance by some of the UK’s leading musicians.
 
Featuring all the songs from the 007 movies...


 

Wiener Konzerthaus
Lothringerstraße 20, 1030 WIEN
(that's Vienna!)

Samstag 2 Dezember 2017
19:30 Uhr
Großer Saal

Sonntag 3 Dezember 2017
19:30 Uhr
Großer Saal

Dieses Galakonzert lässt 53 Jahre Bond-Movies live und auf großer Kinoleinwand Revue passieren. Von John Barrys «Goldfinger», «Thunderball» und «Diamonds Are Forever» über «Licence To Kill», «A View To A Kill» und «Goldeneye» bis hin zu «Skyfall» und dem Song des bislang letzten Bond-Streifens, «Writings On The Wall». Spezielle Arrangements für großes Symphonieorchester garantieren neben den Star-Interpreten einen unvergesslichen Abend.

Am 2. und 3. Dezember 2017 werden die legendären Songs und Scores aus den Bond-Movies von den Star-Interpreten Maya Hakvoort, Nazide Aylin und Sandra Pires im Wiener Konzerthaus präsentiert. Dabei werden sie von einem großen Symphonieorchester, ergänzt durch Top-Instrumentalsolisten für den speziellen Bond-Sound, begleitet, während die berühmten Filmszenen auf eine Leinwand projiziert werden. Die Arrangements stammen vom musikalischen Leiter der Galakonzerte, Alex Johansson. Als besonderes Highlight wird Stargast Conchita ihre Lieblings-Bondsongs interpretieren.