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albums08

Enigma Review

Tuesday, 01 January 2002 14:35

(by James Southall)

Enigma - John BarryAttractive but surprisingly uninspired-sounding thriller score.

John Barry fans have for many years had to deal with taunts that all of his scores are alike, a notion that is of course ludicrous. But the signs are that finally he has succumbed to the ultimate laziness because his two 2001 projects, Enigma and the concept album Eternal Echoes are so predictable that it's difficult to get as excited about them as about new Barry works in previous years. Enigma should be the most inspiring film for Barry in ages - a spy thriller with an element of romance, it seems like the sort of movie he is born to score. But we get music that is so familiar, it is very difficult to see why Barry got so excited about scoring the film - surely if he had been that excited, he would have written something that would have reflected the energy and enthusiasm he had for the project?

While scores like Mercury Rising hardly set the world alight, this was essentially put down to the fact that Barry just wasn't inspired by the material, but quite frankly if he doesn't get inspired by Enigma then it is hard to see him ever getting that spark of inspiration for a project that has provided three of the best scores of the 1990s (and his career) in Dances with Wolves, Chaplin and Playing by Heart.

There is nothing wrong with the music, dramatically note-perfect for the movie. It's just that it sounds like recycled music from The Living Daylights and Mercury Rising and not like something Barry really cared about. The love theme is very pleasant but very minor in the annals of similar themes the composer has penned for other movies - a piano solo is accompanied by the usual wash of strings, but it's less pleasant and less memorable than even things like Simon's Theme from Mercury Rising or the theme from Indecent Proposal . Slightly more interesting is the version performed without the piano in "Is That What Happened?" Trivia note: the theme has exactly the same chord progression as Hans Zimmer's theme from Pearl Harbour but, even though the album is only now being released for Enigma , Barry wrote his theme long before Zimmer started work. It seems a bizarre coincidence that two film composers could have written virtually identical themes for movies about World War II in the same year.

Barry plays the tension and suspense in his usual way, with very simple brass ostinatos and gradually-building string accompaniment. Best is "The Convoy", almost six minutes long and by far the most impressive cue of its type on the album. Aside from this, there are basically just a series of repeats of the main theme, with very little variation. Yes, it is very pleasant, but no it is not pleasant enough to warrant such repetition without anything being done to it.

Ultimately, despite the complaints, Barry is a superb musical craftsman and it is great to see him back in the business after such a long period has elapsed since his previous score. After a string of rejected scores (one of which, Goodbye Lover, reportedly features heavily in Enigma ) and fall-outs with directors, it is good that he found a director with whom he did not have a problem working; bad, though, that he was hired pretty much without the consent of the director, whose choice of composer was David Arnold. Enigma is a good album, a good score, but the inspiration that formed the basis for all of Barry's best works just seems to have deserted him, and really there's nothing new here at all.

James Southall

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PIA website

Have a look at our old "Play It Again" label website here.

Play It Again Records CD catalogue offered the discerning listener a wide choice of digitally re-mastered recordings from film and television, and rare collections of work from the likes of Don Black and Ron Grainer.

Contact the JB site

If you wish to send an email, for example with content for the website, please contact Geoff Leonard:

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Location
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Geoff (owner) and Ruud (webmaster) have been running the John Barry website since June 18, 2001.

This website is not endorsed by the composer's family.
Use of copyrighted materials and logos are for promotional purposes only.

All files on this website are for personal use only and cannot be bought or sold.

 

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John Barry related Events or Concerts


Submit your Event or Concert, This email address is being protected from spambots. You need JavaScript enabled to view it. We will not be responsible for any errors or inaccuracies.


A lot more James Bond concerts collected on the link below, I have put them all in this news item. So check it out from there!

http://www.moviesinconcert.nl/index.php?page=concertlist


The Best of John Barry: Bond and Beyond
Thursday 16 Nov 2017
7:30pm
Royal Festival Hall,
Address: Belvedere Road,
London, SE1 8XX

Nicholas Dodd conductor

Barry Goldfinger (1964)
Barry Main Theme, Zulu
Barry On her Majesty's Secret Service (1969) We Have All the Time in the World
Barry Somewhere in Time
Barry Moviola
Barry The Persuaders
Barry Mary, Queen of Scots
Barry Midnight Cowboy
Barry Suite, Dances with Wolves

--interval--

Barry Born Free
Barry All Time High, Octopussy (1983)
Barry Theme, Out of Africa (1985)
Barry Body Heat
Barry Chaplin
Barry Space March (Capsule in Space), You Only Live Twice
Barry The Knack
Barry Suite, James Bond

Legendary Hollywood composer John Barry won five Oscars throughout a career creating some of the most memorable music in the history of cinema. Enjoy an evening of his greatest hits – Bond themes from Goldfinger to We Have All the Time in the World, music from Zulu, Midnight Cowboy, Dances with Wolves and more.


19 Nov 2017

   Canada   Thunder Bay Shaken Not Stirred – The Music of James Bond

*

James Bond Spectacular
December 1, 2017
Time: 19:30

Camberley Theatre,
Knoll Road,
Camberley,
Surrey, GU15 3SY,
GB

Website

The popular James Bond Concert Spectacular by Q The Music Show is coming to Camberley Theatre.

They will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. 

This show has been a huge success all around the World with its energetic and exciting performance by some of the UK’s leading musicians.
 
Featuring all the songs from the 007 movies...


 

Wiener Konzerthaus
Lothringerstraße 20, 1030 WIEN
(that's Vienna!)

Samstag 2 Dezember 2017
19:30 Uhr
Großer Saal

Sonntag 3 Dezember 2017
19:30 Uhr
Großer Saal

Dieses Galakonzert lässt 53 Jahre Bond-Movies live und auf großer Kinoleinwand Revue passieren. Von John Barrys «Goldfinger», «Thunderball» und «Diamonds Are Forever» über «Licence To Kill», «A View To A Kill» und «Goldeneye» bis hin zu «Skyfall» und dem Song des bislang letzten Bond-Streifens, «Writings On The Wall». Spezielle Arrangements für großes Symphonieorchester garantieren neben den Star-Interpreten einen unvergesslichen Abend.

Am 2. und 3. Dezember 2017 werden die legendären Songs und Scores aus den Bond-Movies von den Star-Interpreten Maya Hakvoort, Nazide Aylin und Sandra Pires im Wiener Konzerthaus präsentiert. Dabei werden sie von einem großen Symphonieorchester, ergänzt durch Top-Instrumentalsolisten für den speziellen Bond-Sound, begleitet, während die berühmten Filmszenen auf eine Leinwand projiziert werden. Die Arrangements stammen vom musikalischen Leiter der Galakonzerte, Alex Johansson. Als besonderes Highlight wird Stargast Conchita ihre Lieblings-Bondsongs interpretieren.