The End Of The Affair
Wrote demo theme, presumably rejected. It's now a track on Eternal Echoes.
Composer: Michael Nyman
The Horse Whisperer
Wrote and recorded several demo themes but disagreements with director Robert Redford led to him leaving the project. He did not compose and record a complete score, as has been suggested.
Composer: Thomas Newman
Wrote a theme as a demo, which was rejected.
Composer: George Fenton
Seven Years in Tibet
Hhad conversations with director but never signed.
Composer: John Williams
Barry recorded some violin pieces that were played on set while filming, but a scheduling problem led to him being unable to do the score in the end.
Composer: Jan A.P. Kaczmarek
Tomorrow Never Dies
Wanted proper fee, full creative control (the song), both of which he was refused.
Composer: David Arnold
The English Patient
Was approached but refused.
"I met with the director, Brian Gibson, and told him how I work. I would give him themes, and then I go off and work, and then go to Los Angeles, he's finished shooting, we spot the movie. I did a few things which he really liked a lot, and which Columbia liked. Then he said, "Well, what about the rest of the music?" and I said, "What about the rest of the music?" He said, "I want to hear it." I said, "This is not an audition, Brian. This is your second movie. If there's anything at the end of the day that you don't like, then we have a little session."
Composer: James Newton Howard
Was asked to score but was too busy on other projects and also wanted to spend time with his very young son.
Composer: Eric Serra