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Enigma Review

Tuesday, 01 January 2002 14:35

(by James Southall)

Enigma - John BarryAttractive but surprisingly uninspired-sounding thriller score.

John Barry fans have for many years had to deal with taunts that all of his scores are alike, a notion that is of course ludicrous. But the signs are that finally he has succumbed to the ultimate laziness because his two 2001 projects, Enigma and the concept album Eternal Echoes are so predictable that it's difficult to get as excited about them as about new Barry works in previous years. Enigma should be the most inspiring film for Barry in ages - a spy thriller with an element of romance, it seems like the sort of movie he is born to score. But we get music that is so familiar, it is very difficult to see why Barry got so excited about scoring the film - surely if he had been that excited, he would have written something that would have reflected the energy and enthusiasm he had for the project?

While scores like Mercury Rising hardly set the world alight, this was essentially put down to the fact that Barry just wasn't inspired by the material, but quite frankly if he doesn't get inspired by Enigma then it is hard to see him ever getting that spark of inspiration for a project that has provided three of the best scores of the 1990s (and his career) in Dances with Wolves, Chaplin and Playing by Heart.

There is nothing wrong with the music, dramatically note-perfect for the movie. It's just that it sounds like recycled music from The Living Daylights and Mercury Rising and not like something Barry really cared about. The love theme is very pleasant but very minor in the annals of similar themes the composer has penned for other movies - a piano solo is accompanied by the usual wash of strings, but it's less pleasant and less memorable than even things like Simon's Theme from Mercury Rising or the theme from Indecent Proposal . Slightly more interesting is the version performed without the piano in "Is That What Happened?" Trivia note: the theme has exactly the same chord progression as Hans Zimmer's theme from Pearl Harbour but, even though the album is only now being released for Enigma , Barry wrote his theme long before Zimmer started work. It seems a bizarre coincidence that two film composers could have written virtually identical themes for movies about World War II in the same year.

Barry plays the tension and suspense in his usual way, with very simple brass ostinatos and gradually-building string accompaniment. Best is "The Convoy", almost six minutes long and by far the most impressive cue of its type on the album. Aside from this, there are basically just a series of repeats of the main theme, with very little variation. Yes, it is very pleasant, but no it is not pleasant enough to warrant such repetition without anything being done to it.

Ultimately, despite the complaints, Barry is a superb musical craftsman and it is great to see him back in the business after such a long period has elapsed since his previous score. After a string of rejected scores (one of which, Goodbye Lover, reportedly features heavily in Enigma ) and fall-outs with directors, it is good that he found a director with whom he did not have a problem working; bad, though, that he was hired pretty much without the consent of the director, whose choice of composer was David Arnold. Enigma is a good album, a good score, but the inspiration that formed the basis for all of Barry's best works just seems to have deserted him, and really there's nothing new here at all.

James Southall

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PIA website

Have a look at our old "Play It Again" label website here.

Play It Again Records CD catalogue offered the discerning listener a wide choice of digitally re-mastered recordings from film and television, and rare collections of work from the likes of Don Black and Ron Grainer.

Contact the JB site

If you wish to send an email, for example with content for the website, please contact Geoff Leonard:

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Bristol, UK

Geoff (owner) and Ruud (webmaster) have been running the John Barry website since June 18, 2001.

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John Barry related Events or Concerts

Submit your Event or Concert, This email address is being protected from spambots. You need JavaScript enabled to view it. We will not be responsible for any errors or inaccuracies.

A lot more James Bond concerts collected on the link below, I have put them all in this news item. So check it out from there!

James Bond Concert Spectacular at Buxton Opera House

Buxton Opera House
Water street,
Buxton, Derbyshire, sk17 6xn

Sun 12 Aug


The popular Q The Music Show brings its James Bond Concert Spectacular to Buxton Opera House.

The 13-piece band will be bringing the fabulous and iconic music of James Bond to you in a stunning concert. This show has been a huge success all around the world with its energetic and exciting performance by some of the UK’s leading musicians.

Featuring all the songs from the 007 movies, you can hear the greats like Goldfinger, Diamonds Are Forever, Skyfall, Thunderball, Live And Let Die, Goldeneye and Licence To Kill amongst all the others. With top musicians and an informative and highly amusing compere, this show has everything you could want for a fabulous night out – and one that you will be talking about for years to come. Formed in 2004, Q The Music Show have established a worldwide reputation for their authentic covers, orchestral sound and fabulous hair-raising vocalists. The show has been popular abroad at events in Monte Carlo, Switzerland, Germany, Italy, Guernsey, Prague and many others.

The Music of BondThe Music of Bond
Royal Albert Hall
Wednesday 19 September 2018
Starts: 7:30pm


Presented by Gemma Arterton (Quantum of Solace). Over fifty years of timeless James Bond themes from all your favourite 007 films.

Hits from Goldfinger, Licence to Kill, Casino Royale, Skyfall, Diamonds Are Forever, Live and Let Die, Spectre, From Russia with Love to name just a few, all sung by outstanding vocalists Alison Jiear and Matthew Ford.

Royal Philharmonic Orchestra
Gareth Hudson Conductor
Alison Jiear Vocalist
Matthew Ford Vocalist

The Bridgewater Hall - Music of John Barry November 2018

The Music of John Barry

Saturday 10 November 7.30pm
The Bridgewater Hall
Lower Mosley Street
Manchester, M2 3WS


Nicholas Dodd conductor
Andrew Collins presenter
Manchester Camerata

John Barry created some of the most memorable and recognisable film scores of the 20th century, such as Midnight Cowboy, Out of Africa, Dances with Wolves, Zulu and of course much of the music from the James Bond series; his versatility and originality were peerless. His death in 2011 deprived cinema of a true musical great. This concert pays tribute to his life and music with a carefully selected programme, conducted by Nicholas Dodd, who collaborated closely with the composer on his later films. Nicholas Dodd is regarded as one of the leading conductors and orchestrators of Hollywood film music and is a noted expert on, and performer of John Barry’s music. In fact, every James Bond movie from the last 10 years bears his signature.