John Barry news archives.
We at johnbarry.org.uk want to give you, the John Barry fans, the opportunity to share your spare CDs, vinyl, cassettes and maybe even DVDs with each other.
Don't worry, we are not advocating a great give-away! No, we are giving you the chance to buy or sell John Barry material at a reasonable price without the hassle of an eBay style auction.
So, anything and everything offered will be at a predetermined set price, and, in the event of a "one of a kind", will be sold on a first come first served basis.
Want to learn more? Go to our for sale / wanted page for all the details. You'll find a few items already up for sale. Don't hesitate to add your own, whether buying or selling!!
Don Black has confirmed the news that he and John have written a number of songs which will be recorded by The Ten Tenors, an Australian ensemble.
The recording will begin on the 20th March as the Tenors take a break in the midst of their US tour.
Don said there would be both new songs and old ones written by the duo.
Apparently recording will be split between Air and Abbey Road Studios - both based in London. This is a tactic John Barry has employed previously.
The Ipcress File showing at the NFT in London, starting Jan. 13 until Jan 26.
Michael Caine as Len Deighton's working-class spy Harry Palmer, in one of the classics of modern British cinema.
UK 1965
Dir Sidney J Furie
"I had a good laugh over the comments on Dan Wallin's master of "BH". Who posts this nonsense on the internet? They should get their facts "straight" beforehand.
The "few year's ago" was over 20-years ago, when Dan Wallin, in fact, DID prepare a master tape under Barry's supervision. But, when he wanted way too much money from me for the transfers, I said to him, "thanks, but no thanks!". I then remixed the multi-tracks myself without Barry at hand, and released the Label X LP (and, later on, the CDs) from that. Barry objected most strongly to my mix, and refused to have anything further to do with the album. He has not spoken to me from that day forward.
Some years later I received a call from Keith Zajeck at Warner Bros. He asked me if I knew where the multi-tracks were, as they wanted to re-mix them for their DVD release. I informed him that they had long since been returned to the vaults at The Burbank Studios. Unfortunately, Warners could not find them (surprised?!).
I then suggested to Keith that he contact Dan Wallin, who would most surely have the stereo LP master which he originally prepared for me. Again, Wallin could not find the 2-track stereo master tapes.
So, you have the "true story" of "Body Heat" and the missing masters. "
Lukas Kendal at FSM reports that stocks of Monte Walsh (and certain other items) are low. So if you don't already have this excellent CD, this might be your last opportunity to get it at a reasonable price.
See his announcement at Filmscoremonthly
As many of you know, John Barry’s entry into the film music world came courtesy of his relationship with the fledgling pop singer, Adam Faith. It could also be that there are some fans of Adam out there, especially amongst the older ones of us!! In which case you might be interested in a visit to the new web-site currently being created by Barry web-master Ruud Rozemeyer from input by myself and Gareth “hoarder” Bramley.
If I do say it myself I believe this has the potential to be an excellent site. It’s looking rather good already, in fact, so why not have a glance or two at
and let us know what you think.
Lukas Kendall of Filmscoremonthly has put a message in our forum. For those of you who do not read our forum, or may overlook the message, we repeat it here:
<quote>
Hi Folks,
I saw this thread about our new ALICE/PETULIA CD and wanted to explain a few things. The CD contains the LP masters (from the 1/4'' stereo master tapes) for each album, which was all that was available for license, and all that was available to us as far as masters.
While we would love to release other, never-before-available Barry scores, it's increasingly hard to get the rights to them -- and there are master-tape problems for many as well. The Barry scores we released in 2005 -- King Kong and Alice/Petulia -- we were able to get due to our relationship with Warner Music Group who control the album rights.
Personally, I love these two scores and find them very well represented by the LPs. (Years ago I had a home-made cassette that had Deadfall on one side and Petulia, and I am thrilled to have brought both to CD form.) I suppose it's a matter of taste, whether you like Barry's adventure scores or his epics or his more personal, offbeat works (like these two), but I happen to adore all of them. I'd be surprised if anyone reading this post -- a John Barry fan who frequents a forum about him -- bought this CD and was let down.
In any case, thanks for your interest and feedback.
Lukas Kendall
</quote>
ALICE'S ADVENTURES IN WINDERLAND/PETULIA (FSM)
by John Barry
[quote]
Two Classic LPs on one CD -- Premiere Release.
This premiere John Barry CD features two Warner Bros. albums from a period of great creativity for the composer: Alice's Adventures in Wonderland (1972) and Petulia (1968).
Alice's Adventures in Wonderland was a musical telling of Lewis Carroll's famous story, with a star-packed British cast including Peter Sellers, Dudley Moore, Michael Crawford and Ralph Richardson. John Barry collaborated with lyricist Don Black ("Born Free," "Diamonds Are Forever") on the delightful song-score.
Barry characterized the soundtrack as having "almost a Gilbert & Sullivan style, but with a contemporary feeling," but fans will recognize no musical identity except for Barry's own. The score, as wonderfully recorded for the soundtrack LP, includes three ballads, large symphonic pieces, and enjoyable settings of classic Caroll nonsense -- with Barry melodies through and through.
Petulia was Barry's second collaboration with director Richard Lester (following The Knack...and How to Get It), a serious, contemporary drama set in San Francisco starring Julie Christie, George C. Scott and Richard Chamberlain. It is regarded as one of the best films of the era, with a sophisticated flashback structure (and cinematography by Nicolas Roeg) anchored by Barry's melancholy and melodic score.
In addition to the haunting main theme, Petulia features a distinctive figure for saxophones anticipating Diamonds Are Forever, and several pieces of vintage Barry source music -- low-key jazz tunes that rank with the best instrumental music of the era, and echo some of the source cues of the James Bond films.
This holiday present for Barry fans comes with new liner notes by Jon Burlingame, and is remastered from the original 1/4" stereo album tapes.
Alice's Adventures in Wonderland
Music Composed by John Barry, Lyrics by Don Black
1. Overture 4:29
2. Curiouser and Curiouser 2:16
Sung by Fiona Fullerton (Alice)
3. You've Got to Know When to Stop 2:09
Sung by Davy Kaye (Mouse)
4. The Royal Procession 1:44
5. The Last Word Is Mine 2:01
Sung by Michael Crawford (White Rabbit) and Fiona Fullerton
6. Dum and Dee Dance 3:08
Nursery Rhyme
Lyrics by Lewis Carroll
Sung by Fiona Fullerton
7. The Pun Song 3:03
Sung by Sir Robert Helpman (Mad Matter), Peter Sellers (March Hare) and Dudley Moore (Dormouse)
8. I've Never Been This Far Before 2:19
9. Curiouser and Curiouser 2:14
10. I've Never Been This Far Before 2:19
Sung by Fiona Fullerton
11. Medley: 4:15
Off With Their Heads
Sung by Dame Flora Robson (Queen of Hearts)
The Croquet Game
Off With Their Heads
The Moral Song
Sung by Peter Bull (the Duchess)
Off With Their Heads
12. The Me I Never Knew 2:39
13. The Lobster Quadrille 1:46
14. Will You Walk a Little Faster? 1:57
Lyrics by Lewis Carroll
Sung by Michael Hordern (Mock Turtle) and Spike Mulligan (Gryphon)
15. They Told Me 0:54
Lyrics by Lewis Carroll
Sung by Michael Crawford
16. The Me I Never Knew 4:10
Sung by Fiona Fullerton
Total Time: 42:06
Petulia
Music Composed and Conducted by John Barry
17. Main Title -- Petulia 1:57
18. Friends of the Evergreen 2:05
19. Highway 101 2:31
20. A Little Old-Fashioned Nostalgia 2:51
21. Motel 4:50
22. Petulia 3:01
23. Petulia 3:23
24. Comprehendo? 1:59
25. Border Gate at Tijuana 2:38
26. Once Having Been Lovers 3:06
27. Eat Topless 3:29
28. End Title -- Petulia 5:03
Total Time: 37:33
Total Disc Time: 79:48
ALICE'S ADVENTURES IN WONDERLAND - A star-studded cast highlights this musical adaptation of the classic fantasy tales of Lewis Carroll. One day young Alice (Fiona Fullerton) takes a nasty spill down the rabbit-hole and finds herself in the bizarre kingdom of Wonderland, where she encounters a number of strange and enchanted characters, including the playful White Rabbit (Michael Crawford), the manic March Hare (Peter Sellers), the mysterious Caterpillar (Ralph Richardson), the Dormouse (Dudley Moore), the imperious Queen of Hearts (Flora Robson), and the quizzical Mad Hatter (Robert Helpmann). The cast also includes Spike Milligan, Peter Bull, Roy Kinnear, and Michael Jayston as Lewis Carroll. "Alice's Adventures In Wonderland" won two prizes at the 1973 British Academy of Film and Theatre Awards - for Georfrey Unsworth's photography and Anthony Mendelson's costume design. 1972 PETULIA - Petulia is Richard Lester's ode to the Swinging Sixties: a time of psychedelic instability when neither those who were square, nor those who were hip, really had it right. George C. Scott is Archie Bollen, a divorced San Francisco doctor in the midst of "discovering himself." Julie Christie is Petulia Danner, a peculiar young beauty recently married into an established family. Archie's sterile apartment and detached, bemused manner exemplify his inability to emote. Petulia's forward nature and desperate tenderness betray her fear of her sullen, abusive, pretty-boy husband (Richard Chamberlain). The physician and the newlywed embark on a schizophrenic love affair amid Pepsi references, automated motels, roller derbies, and a cameo by Big Brother and the Holding Company - but they never achieve the daring to truly change their lives. 1968.
For UK viewers and anybody else who can receive Channel 4:
FILM: King Kong
Channel: Channel 4
Date: Tuesday 20th December 2005
Time: 13:05 to 15:30
Duration: 2 hours and 25 minutes.
Derided at the time, largely because it was produced by the then king of schlock Dino De Laurentiis, John Guillermin's remake of the 1933 classic actually has a lot going for it. The Oscar winning special effects sit happily with the tongue-in-cheek campiness that the three leads play along with and there's a superb John Barry score that is among the best of his long career.
Director: John Guillermin
Starring: Jeff Bridges, Charles Grodin, Jessica Lange, John Randolph, Rene Auberjonois, Julius Harris
(Widescreen, Subtitles, 1976, 15, 3 Star)
New SACD of John Barry's score to Frances.
"The wistful, melancholic score for Frances was composed and conducted by five-time Oscar recipient John Barry. Director Graeme Clifford, who believed that his composer of choice was the only person suited for the job, wrote in his original introduction for the 1982 LP release, “I have admired John Barry’s music for many years and had always promised myself that when I made my first picture I would contact John first. And that is what I did. I needed music that was at once romantic and yet underscored the severe emotional stress that pervaded Frances Farmer’s life. Even without the images on the screen, and many months after completing the picture, John’s music still moves me deeply”.
Of particular note to the listener is how Barry’s score reinforces the screenplay, albeit with great subtlety. Never intrusive, but striking nonetheless, are the elegant use of long, sustained chords (a Barry trademark) in the orchestration and an occasional harmonica solo, which the composer informed this writer in 1982, “comments on Frances Farmer’s yearning for things past”. The ascending two-note motif depicting Frances’s inner turmoil, “her cry for help” (Barry, again) intoned by the brass, is of interest too. Barry argued that overuse of the score would call attention to itself.
This is one of Barry’s most noble and haunting works, one which occupies a special place in a notable canon that includes some of the finest scores in the history of the cinema.
The film also boasts an impressive cast; Jessica Lange as the troubled Frances; Kim Stanley as Frances’s mother, Lillian Farmer and playwright-actor Sam Shepherd in the fictionalised role of one Harry York. Lange was nominated for Best Actress by the Motion Picture Academy at the 1982 Academy Awards but she lost to Meryl Streep in Sophie’s Choice."
This album has been re-mastered for Super Audio CD (SACD). This Hybrid SACD may be played on all CD players.
Track listing:
1. Main Title (4:03)
2. Meeting Harry (2:33)
3. Upset (0:57)
4. Late To Work (1:14)
5. Uproar (1:52)
6. Frances And Doc (1:05)
7. Walk (1:35)
8. Okay, Dad; Mother, Shut up!! (2:51)
9. Sonata In A Major, K.331 (1:46) (W. A Mozart)
10. Bug House (2:29)
11. Free At Last (1:34)
12. Home Again; Things Are Going To Be Slow From Now On (7:13)
13. Epilogue (A Portrait of Frances) (6:43)
THE COMPETITION HAS NOW ENDED
Here are the answers and winners of the FRANCES competition.
1) Graeme Clifford
2) Ruby Cairo
3) Frances Elena Farmer
Most people got this all correct so we had a drawing to pick the five lucky winners. They are:
We have informed Hot Records and hopefully you'll all be hearing from them shortly. Commiserations to those who did not win, but hey, it's not too expensive to purchase!!
Don Black revealed to some of his and John Barry's fans at the "Thunderball 40th anniversary" screening that he and John Barry do want to revisit Brighton Rock. Don agreed that it would be very sad if the Almeida season was the beginning and the end of the show. He said that it would need some rewriting and it was clear from what he said that this hasn't happened yet.
He said that it should tour in the provinces first before any attempt at at a further West End run
Don seemed genuinely surprised by the interest expressed in the show.
Cause for guarded optimism then, but don't expect anything in the near future. [Thanks to Pete Greenhill for the information.]
DOCUMENTARY: Matt Monro: The Man With The Golden Voice
Channel: BBC 4
Date: Saturday 22nd October 2005
Duration: 1 hour.
Neil Pearson narrates a documentary telling the story of Matt Monro, the young Londoner born Terry Parsons who became one of the world's most popular ballad singers. Contributors include Paul Gambaccini, Don Black, George Martin, John Barry and Monro's family.
It was an excellent hour-long documentary charting Monro's life and career, accompanied by archive footage, interviews with Don Black, John Barry, Sir George Martin and Monro's family.
But most of it was also accompanied by Barry's music from The Beyondness of Things & The Specialist - or was it Playing By Heart? Anyway, very moody JB, just right for the tone of the programme.
It was on the BBC's digital only channel, BBC4, but well worth a look when it appears elsewhere around the globe.
"Zulu": With Some Guts Behind It, The Making of the Epic Movie, Sheldon Hall, now available.
"Zulu": With Some Guts Behind It, The Making of the Epic Movie by Sheldon Hall, hardcover 431 pages (October 24, 2005), Publisher: Tomahawk Press, Language: English, ISBN: 0953192660, was published on 10 October by Tomahawk Press and should be available in bookshops and from online outlets in the UK from this Monday, October 24. Foreword by John Barry, OBE.
The author hopes that "you get to see the book and feel that it has all been worthwhile. Do please get in touch to let me know. Feedback I have received so far has been uniformly positive."
Nic Raine is conducting a Bond concert in Quebec in February in aid of the Tsunami and New Orleans charities. It is being organised by Hilary Salzman and Dame Shirley will be singing guess what....
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